Untitled, by Zelda Sayre

You have such a beautiful back, it could make me cry. I want to kiss it
all over, but then, I’d wake you, and you’d hate that, as much as you’d
hate your back being kissed, stared at. A fire is in my belly, I long to say,
long to write, but am unsure how that sounds should I say it out loud;
how that reads should you read it and think me silly. I do not want to be
thought of as silly, and do not think of myself this way. My passion a
   lonely,
frightful thing I want you to fit in, simply. But then, you are not simply
   fit.
No, you move beyond cities, beds, pretending there are secrets to your
   life.
I drag your love behind me—it is silk, evaporating to dust, and you write
stories out of that dust, in shades of me. My words you take for yourself.
Now my hand reaches, madly, maddeningly close to your skin. But you
   do
not move, and I am not sure what I love or hate more: this muscular
   back,
the spine’s crevices and particular strangeness, or the other side’s face,
   and
all its maligned, affected scorn.

—ADRIENNE WEISS

(Originally published summer, 2008.)

The famous Taddle Creek end note

Author Bio

Adrienne Weiss lives in the Junction Triangle. She is the author of the poetry collection Awful Gestures (Insomniac, 2001). (Last updated Christmas, 2011.)