Orlando

Nothing is so exciting as intellect and volition in the wolf. —Leo Spitzer

1.
Blue moon, you saw me standing. Alone.
Gender-bent in the bent light:
no dream, no star, no love, no room of my own.
Merely the water’s brief madness
Reflected still in the still night.

Here is forced escape & friction of breath. Held.
What becomes this measured distance
That stamps a quasi-figure trapped between knuckle & elbow?
How elide such dark poetic principle
Meant to smash a novel voice into a net of bones?

2.
If myths are the genitals of the collective unconscious.
What boots? Kicked against the pricks argues the point
For no other felt cause save to crack heaven’s glassy arch.
As when soft ware bends to hard ware
& mouth harp bends to upright organ in the joint.

As when plump doves bend to chiselled hawks.
As when round, fragrant flesh bends to coarse, musty fur.
As when pear-shaped tones bend to growls in the dark.
As when the old interior monologue
Hunkers at the moon’s feet & drowns in a babble of fears.

3.
How resolve a human intercourse
That always changes, never lasts, never becomes affectionate?
As loving a plant for its roots rather than its flowers
Has a fiend dug deep into its own grave heart.
Here is matter: the dead-rock moon & woe man hard upon it.

Virginia Woolf was no dwarf
With stones in her mouth to confound the wind.
Her medium was liquid & the utter
Ring of silence
Gave just cause for transformation.

—STAN ROGAL

(Originally published Christmas, 2003.)

The famous Taddle Creek end note

Author Bio

Stan Rogal lives in Bloorcourt Village. He is the author of nine books of poetry, two novels, and three short story collections. His latest book, Fabulous Freaks, was published in 2005 by Wolsak & Wynn. His work has appeared in numerous journals, including the Fiddlehead, Grain, Quarry, Prairie Fire, and Rampike. (Last updated summer, 2006.)

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