Aphids

When they let me go, I didn’t know the language of the place where I was, nor did I know the name of the place. And the shoes I was wearing: black canvas sneakers with white laces. I didn’t know where they had come from.

My knees and ankles ached, because I’d been kneeling for so long. It felt good to walk, even if I didn’t know where I was walking. A woman wearing a white raincoat and a red kerchief came walking toward me, then walked right by me. Soon it happened again, but this time with a young man. These were other people.

Amid the rows of houses that lined the road was what appeared to be a store. It had signs outside and a smiling chipmunk cut out of thin wood. Before they let me go, they’d stuffed some paper money into my pocket, so I walked into the store. I said to the man at the counter that I was thirsty. He had a very thin black moustache and no eyebrows. It was like he had taken his eyebrows and stuck them under his nose. He frowned when I spoke.

I drew one of the bills from my pocket with one hand and pointed to my mouth with the other. I licked my lips.

The man swept his own hand through the air in front of him, and I looked around his store. The shelves were lined with animals constructed out of twigs. I saw giraffes and gazelles and flamingos and porcupines, but I didn’t see any water.

The man stepped around the counter and took my arm. He led me back out to the street and pointed toward the crest of a hill. With his slender hand flat, he made the motion of a fish leaping and said something I didn’t understand. Then he turned his hand as if to slice something, and slalomed it through the air between us. This was a fish swimming. Then he held an invisible ladle to his mouth, puckered his lips, and slurped.

Over the hill there was a river. I could drink from the river.

On my way up the hill, I passed dozens more houses but I saw no more people. The people were all in their houses. Before I knelt in the dark, I had been in a house. I wanted to knock on their doors, knock on the doors of these other people who were inside, and tell them they weren’t safe.

As I approached the top of the hill, I could see dark clouds hovering above the road, which was by now made only of dirt. My black canvas sneakers were turning grey. It wasn’t long before I stepped into those frenetic clouds, and I realized they were swarms of aphids. They burrowed into my hair and ricocheted off my cheeks. They played in my eyelashes and among the follicles in my nostrils. I could only squint now, because the aphids wanted to swim on the surfaces of my eyeballs, but down the other side of the hill I could see a river that wound and curved like a child’s crayon scribble on a piece of paper.

When I’d had enough of playing, I stepped from the clouds of aphids and felt the pain in my ankles again as I walked slowly downhill. At the side of the river, I tried to crouch, but couldn’t bend my knees. The water was cool and clear, the river bed adorned with colourful round pebbles.

I puckered my lips and sucked as hard as I could, but I couldn’t draw the water up to my mouth. It was down there. I was up here. I stood beside the river. The sun never went down.

(Originally published summer, 2008.)

The famous Taddle Creek end note

Author Bio

Stuart Ross lives in a housing co-op near Christie and Dupont streets. He is the author of numerous collections and chapbooks, most recently most recently the poetry collection Dead Cars in Managua (DC Books, 2008). Some of his poems were recently turned into songs for the CD An Orphan’s Song: Ben Walker Sings Stuart Ross. He has contributed to the magazine since 1998. (Last updated summer, 2008.)